TheMovieStory

Gladiator is a 2000 epic film. It is directed by Ridley Scott and stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Djimon Hounsou, Derek Jacobi and Richard Harris. Crowe portrays General Maximus Decimus Meridius, friend of Emperor Marcus Aurelius, who is betrayed and murdered by the emperor’s ambitious son, Commodus (Phoenix). Captured and enslaved along the outer fringes of the Roman empire, Maximus rises through the ranks of the gladiatorial arena to avenge the murder of his family and his Emperor.

The film won five Academy Awards in the 73rd Academy Awards ceremony, including the Academy Award for Best Picture. The film’s epic scope and intense battle scenes, as well as the emotional core of its performances, received much praise. The film’s success may have helped to revive the sword and sandal subgenre of historical epics, such as the subsequent films Troy, Alexander, 300, and Scott’s own Kingdom of Heaven.

Plot

General Maximus Decimus Meridius leads the Roman army to victory against Germanic barbarians in the year 180 AD, ending a prolonged war and earning the esteem of the elderly Emperor Marcus Aurelius. Although the dying Aurelius possesses a son, Commodus, Aurelius wishes to appoint temporary leadership to the morally-upstanding Maximus, with a desire to eventually return power to the Roman Senate. Aurelius informs Maximus of his decision and offers him time to consider before informing Commodus, who subsequently murders his father. Commodus, declaring himself the emperor, asks Maximus for his loyalty, which the General refuses, realizing Commodus’s involvement in the Emperor’s death. Commodus orders Maximus’s execution and dispatches Praetorian Guards to murder Maximus’s wife and son. Maximus escapes his execution and races home, only to discover his family’s charred and crucified bodies in the smoldering ruins of his villa. After burying his wife and son, Maximus succumbs to grief and exhaustion and collapses on their graves.

Slave traders find Maximus and take him to Zucchabar, a rugged province in North Africa, where he is purchased by Proximo, the head of a local gladiator school. Distraught and nihilistic over the death of his family and betrayal by his empire, Maximus initially refuses to fight, but as he defends himself in the arena his formidable combat skills lead to a rise in popularity with the audience. As he trains and fights further, Maximus befriends Hagen, a Germanic barbarian, and Juba, a Numidian hunter, the latter becoming a close friend and confidant to the grieving Maximus, the two speaking frequently of the afterlife and Maximus’s eventual reunification with his family.

In Rome, Commodus reopens the gladiatorial games to commemorate his father’s death, and Proximo’s company of gladiators are hired to participate. In a recreation of the Battle of Zama (incorrectly named the Battle of Carthage) at the Colosseum, Maximus leads Proximo’s gladiators to decisive victory against a more powerful force, much to the amazement of the crowd. Commodus descends into the arena to meet the victors and is stunned to discover Maximus as the leader of Proximo’s gladiators. The Emperor, unable to kill Maximus because of the crowd’s roaring approval for him, sulks out of the arena. As the games continue, Commodus pits Maximus against Tigris of Gaul, Rome’s only undefeated gladiator, in an arena surrounded by chained tigers with handlers instructed to target Maximus. Following an intense battle, Maximus narrowly defeats Tigris and awaits Commodus’ decision to kill or spare Tigris. As Commodus votes for death, Maximus spares Tigris, deliberately insulting the Emperor and garnering the audience’s approval. His bitter enemy now known as “Maximus the Merciful,” Commodus becomes more frustrated at his inability to kill Maximus or his ascending popularity while his own shrinks.

Following the fight, Maximus meets his former servant Cicero, who reveals that Maximus’s army remains loyal to him. Maximus forms a plot with Lucilla, Commodus’ sister and Senator Gracchus to reunite Maximus with his army and overthrow Commodus. Commodus however, suspecting his sister’s betrayal, threatens her young son and forces her to reveal the plot. Praetorian guards immediately storm Proximo’s gladiator barracks, battling the gladiators while Maximus escapes. Hagen and Proximo are killed in the siege while Juba and the survivors are imprisoned. Maximus escapes to the city walls only to witness Cicero’s death and be ambushed by a legion of Praetorian guards.

Concluding that legends born in the Colosseum must die there, Commodus challenges Maximus to a duel in front of a roaring audience. Acknowledging that Maximus’s skill exceeds his own, Commodus deliberately stabs Maximus with a stiletto before the battle and conceals the wound beneath his armor. In the arena, the two exchange blows before Maximus rips the sword from Commodus’s hands. Commodus demands a sword from Quintus, but he and the other guards stand down. Commodus pulls his stiletto out of a hidden pocket and attacks Maximus again, but Maximus wins beating him into submission and stabbing his opponent in the neck. Commodus collapses in the now-silent Colosseum while Maximus, barely alive, begins to see his wife and son in the afterlife. He reaches for them, but is pulled back to reality by the Praetorian prefect Quintus, who asks Maximus for instructions. Maximus orders the release of the Proximo’s gladiators and Senator Gracchus, whom he reinstates and instructs to return Rome to a Senate-based government. With that, Maximus collapses, and Lucilla rushes to his aid. After being reassured that her son is safe and Commodus is dead, he dies and wanders into the afterlife to his family in the distance. Senator Gracchus and Proximo’s gladiators carry Maximus’ body out of the Colosseum. Later, now free, Juba buries Maximus’ two small statues of his wife and son in the ground where Maximus died.

Cast

Production

Screenplay

Ridley Scott was approached by producers Walter Parkes and David Wick. They showed him a copy of Jean-Léon Gérôme’s 1872 painting entitled Pollice Verso (”Thumbs Down”). Scott was enticed by filming the world of Ancient Rome. However, Scott felt Franzoni’s dialogue was too “on the nose” and hired John Logan to rewrite the script to his liking. Logan rewrote much of the first act, and made the decision to kill off Maximus’ family to increase the character’s motivation.

With two weeks to go before filming, the actors still complained of problems with the script. William Nicholson was brought to Shepperton Studios to make Maximus a more sensitive character, reworking his friendship with Juba and developed the afterlife thread in the film, saying “he did not want to see a film about a man who wanted to kill somebody.”David Franzoni was later brought back to revise the rewrites of Logan and Nicholson, and in the process gained a producer’s credit. When Nicholson was brought in, he started going back to Franzoni’s original scripts and putting certain scenes back in. Franzoni helped creatively-manage the rewrites and in the role of producer he defended his original script, and nagged to stay true to the original vision. Franzoni later shared the Best Picture Oscar with producers Douglas Wick and Branko Lustig.

The screenplay faced the brunt of many rewrites and revisions due to Russell Crowe’s script suggestions. Crowe questioned every aspect of the evolving script and strode off the set when he did not get answers. According to a DreamWorks executive, “(Russell Crowe) tried to rewrite the entire script on the spot. You know the big line in the trailer, ‘In this life or the next, I will have my vengeance’? At first he absolutely refused to say it.” Nicholson, the third and final screenwriter, says Crowe told him, “Your lines are garbage but I’m the greatest actor in the world, and I can make even garbage sound good.” Nicholson goes on to say that “probably my lines were garbage, so he was just talking straight.”

Gladiator was based on an original pitch by David Franzoni, who went on to write all of the early drafts.[3] Franzoni was given a three-picture deal with DreamWorks as writer and co-producer on the strength of his previous work, Steven Spielberg’s Amistad, which helped establish the reputation of DreamWorks SKG. Franzoni was not a classical scholar but had been inspired by Daniel P. Mannix’s 1958 novel Those About to Die and decided to choose Commodus as his historical focus after reading the Augustan History. In Franzoni’s first draft, dated April 4, 1998, he named his protagonist Narcissus, after the praenomen of the wrestler who strangled Emperor Commodus to death, whose name is not contained in the biography of Commodus by Aelius Lampridius in the Augustan History. The name Narcissus is only provided by Herodian and Cassius Dio, so a variety of ancient sources were used in developing the first draft.

Ridley Scott was approached by producers Walter Parkes and David Wick. They showed him a copy of Jean-Léon Gérôme’s 1872 painting entitled Pollice Verso (”Thumbs Down”). Scott was enticed by filming the world of Ancient Rome. However, Scott felt Franzoni’s dialogue was too “on the nose” and hired John Logan to rewrite the script to his liking. Logan rewrote much of the first act, and made the decision to kill off Maximus’ family to increase the character’s motivation.

With two weeks to go before filming, the actors still complained of problems with the script. William Nicholson was brought to Shepperton Studios to make Maximus a more sensitive character, reworking his friendship with Juba and developed the afterlife thread in the film, saying “he did not want to see a film about a man who wanted to kill somebody.” David Franzoni was later brought back to revise the rewrites of Logan and Nicholson, and in the process gained a producer’s credit. When Nicholson was brought in, he started going back to Franzoni’s original scripts and putting certain scenes back in. Franzoni helped creatively-manage the rewrites and in the role of producer he defended his original script, and nagged to stay true to the original vision.[6] Franzoni later shared the Best Picture Oscar with producers Douglas Wick and Branko Lustig.

The screenplay faced the brunt of many rewrites and revisions due to Russell Crowe’s script suggestions. Crowe questioned every aspect of the evolving script and strode off the set when he did not get answers. According to a DreamWorks executive, “(Russell Crowe) tried to rewrite the entire script on the spot. You know the big line in the trailer, ‘In this life or the next, I will have my vengeance’? At first he absolutely refused to say it.”[7] Nicholson, the third and final screenwriter, says Crowe told him, “Your lines are garbage but I’m the greatest actor in the world, and I can make even garbage sound good.” Nicholson goes on to say that “probably my lines were garbage, so he was just talking straight.”

The film was shot in three major locations between January through May in 1999. The opening battle scenes in the forests of Germania were shot over three weeks in Bourne Woods, near Farnham, Surrey in England. Subsequently, the scenes of slavery, desert travel, and gladiatorial training school were shot in Ouarzazate, Morocco just south of the Atlas Mountains for a total of three weeks. Finally, the scenes of Ancient Rome were shot over a period of nineteen weeks in Malta using a multicultural workforce whose talents were stretched to the limits.[9]

A replica of about one-third of Rome’s Colosseum was built in Malta to a height of 52 feet, mostly from plaster and plywood (the other two-thirds and remaining height were added digitally). The replica took several months to build and cost an estimated $1 million.[10] The reverse side of the complex supplied a rich assortment of Ancient Roman street furniture, colonnades, gates, statuary, and marketplaces for other filming requirements. The complex was serviced by tented “costume villages” that had changing rooms, storage, armorers and other facilities.[9] The rest of the Colosseum was created in CG using set-design blueprints, textures referenced from live action, and rendered in three layers to provide lighting flexibility for compositing in Flame and Inferno.

Awards

Gladiator was nominated in 36 individual ceremonies, including the 73rd Academy Awards, the BAFTA Awards and the Golden Globe Awards. Of 119 award nominations, the film won 48 prizes.[39]

The film won five Academy Awards and was nominated for an additional seven, including Best Supporting Actor for Joaquin Phoenix and Best Director for Ridley Scott. There is controversy over the film’s nomination for Best Original Music Score. The award was officially nominated only to Hans Zimmer, and not to Lisa Gerrard due to Academy rules. However, the pair did win the Golden Globe Award for Best Original Score as co-composers.

• 73rd Academy Awards
  • Best Picture
  • Best Actor (Russell Crowe)
  • Best Visual Effects
  • Best Costume Design
  • Best Sound
• 2001 American Cinema Editors Eddie Awards
  • Best Edited Feature Film - Dramatic
• 5th Art Directors Guild Awards
  • Excellence in Production Design Award, Feature Film - Period or Fantasy Films
• BAFTA Awards
  • Best Cinematography
  • Best Editing
  • Best Film
  • Best Production Design
• 58th Golden Globe Awards
  • Best Motion Picture - Drama
  • Best Original Score - Motion Picture
• 4th Las Vegas Film Critics Society Awards
  • Best Costume Design
  • Best DVD
  • Best Editing
  • Best Score
  • Best Visual Effects
• London Film Critics Circle
  • Actor of the Year (Russell Crowe)